Art is a unique way of expressing the self, one’s own thoughts, ideas, feelings, emotions, in close connection with certain social, economic, historical, political and personal contexts.

Art may be defined and seen as a reflection of the creative side of the individual that essentially renders a personal, subjective affective experience. Art is one of the dimensions that define the human, next to the affective, cognitive and volitional component⁽¹⁾.

The preoccupation and interest for creativity, after 1950, is motivated by the importance that this dimension has on the elements of social, economic and cultural nature, an interest that is demonstrated by the large number of publications on this subject, particularly in the international literature, especially in recent years⁽²⁾.

The interferences between mental disorders and creativity were first described in literature in the 1970s by Nancy Andreasen, at the University of Iowa, on a batch of 30 writers⁽³⁾.

The first researches indicated a connection between creativity and psychopathology, creative functioning and unusual thinking, affective symptoms, personality traits and facets, and behavioural characteristics⁽⁴⁾.

The studies performed and the publications on this subject involve dimensions such as neuroticism, openness, agreeableness and extraversion, which are increased in the groups of artists. Substance use is often encountered, to stimulate creativity⁽⁵⁾.

Objective of the study

The main objective of the study: we set out to assess those facets of the personality dimensions that motivate and maintain the artistic talent, and always influence the chances of success, and the way it is still used in the practice of the profession.

Expectations: highlighting the dimensions involved in the various psychopathological decompensations of the assessed personality, the way in which they influence the dynamics of professional roles.

Materials and method

We included in our study a batch (N=24) from different professional artistic fields: actors, dancers, musicians, painters, writers, theatre critics, street artists, with different age, gender and background, and who filled out the PID-5 and DECAS forms, in the period 2018-2019. The batch was divided into three groups: actors, musicians and visual artists.

The collected data have been obtained prospectively. The statistical program used was PSPP. The test for determining the distribution of parameters was conducted using the Kolmogorov-Smirnov formula.

The Personality Inventory for DSM-5 (PID 5)

The Personality Inventory for DSM-5 is a 220-item self-rated personality traits assessment scale. PID-5 is a dimensional questionnaire based on the alternative model DSM‑5, a brief form of the Five-Factor Model in which there are stressed the maladaptive traits. It assesses 25 personality trait facets, including: anhedonia, anxiousness, attention seeking, callousness, deceitfulness, depressivity, distractibility, eccentricity, emotional lability, grandiosity, hostility, impulsivity, intimacy avoidance, irresponsibility, manipulativeness, perceptual dysregulation, perseveration, restricted affectivity, rigid perfectionism, risk taking, separation insecurity, submissiveness, suspiciousness, unusual beliefs and experiences, and withdrawal. The 25 specific facets (groups of 3-9) can be combined to yield indices of the five broader trait domains: negative affectivity (emotional lability, anxiousness, separation insecurity), detachment (withdrawal, anhedonia, intimacy avoidance), antagonism (manipulativeness, deceitfulness, grandiosity), disinhibition (irresponsibility, impulsivity, distractibility), psychoticism (unusual beliefs and experiences, eccentricity, perceptual dysregulation)⁽⁷⁾.

DECAS – Openness, Extraversion, Conscientiousness, Agreeableness, Emotional Stability

This is a personality trait assessment instrument based on the Big Five Factor Model, created by Professor Florin Alin Sava (MD, PhD), comprising 97 ­questions, with “true/false” type answers. It is based on a dimensional model with five dimensions: openness, extraversion, conscientiousness, agreeableness and emotional stability, each domain having six facets, described by Costa and McCrae in 1985.

It is a questionnaire based on a dimensional model with five dimensions: openness, extraversion, conscientiousness, agreeableness, and emotional stability, each domain having five facets:

1. Extraversion: warmth, gregariousness, assertiveness, activity, excitement-seeking, positive emotions.

2. Agreeableness: trust, straightforwardness, altruism, compliance, modesty, tender-mindedness.

3. Neuroticism (as opposite to emotional stability): anxiety, anger-hostility, depression, self-consciousness, impulsiveness, vulnerability.

4.Conscientiousness: competence, order, dutifulness, achievement striving, self-discipline, deliberation.

5. Openness: fantasy, aesthetics, feelings, actions, ideas, values⁽⁸⁾.

Results

The 24 persons who filled out the questionnaire had ages between 20 and 88 years old (18 males and 6 females). They all came from urban areas (Timişoara and Sibiu).

Figures 1, 2, 3, 4 and 5 show the correlation coefficient between the dimensions of the DECAS form and the facets of the PID-5 form.
 

Discussion

We wish to highlight the advantageous and disadvantageous traits in the artist profession.

The correlations between increased openness, eccentricity and grandiosity can be advantageous factors in the artistic profession, but manipulativeness and risk taking, depending on certain circumstances, can be both advantageous and disadvantageous.

Unusual beliefs and suspiciousness as traits present in individuals with increased openness can lead to psychopathological decompensations.

Increased extraversion, together with low values of withdrawal and trauma avoidance, as well as high values of attention seeking, can be advantageous factors in an artist’s destiny, but impulsivity does not favour the artistic career. 

High values of conscientiousness may lead to the development of certain obsessive-compulsive type personality traits that can be advantageous under certain circumstances as support for perfectionism, perseveration, openness to details and nuances. Unusual beliefs, suspiciousness and perceptual dysregulations can be disadvantageous traits and a starting point for psychotic pathological manifestations.

Agreeableness and emotional stability described in the Big Five theory are domains related to normality, therefore any negative correlation between these domains and the pathological facets of PID-5 become protective and advantageous factors in the professional growth.

Openness, extraversion and conscientiousness are defining domains which, even though they have a great influence on the evolution and growth of the artists professions, they may lead to psychopathological decompensations: an exaggerated openness leads to antagonism, disinhibition and psychoticism, extraversion to disinhibition, and conscientiousness leads to negative affectivity and psychoticism.
 

Conclusions

High values of openness predispose to an aesthetic sense, creativity and fantasy, that can be important factors in choosing one’s profession.

The correlations between extraversion and attention seeking represents an advantageous trait in the artist profession.

A moderate conscientiousness is a key factor in reaching the success, but very high values are associated with a vulnerability for psychopathological decompensations.

Agreeableness and emotional stability that include a mature defence mechanism lead to a durable professional stability.

The dimensional assessment of the personality traits attests to being a particular endeavour in acknowledging the personal abilities assigned to the professional role.

The interdimensional correlations developed by this study may also be used in shaping the professional abilities, as well as in the therapeutic exchange of personality disorders psychopathological decompensation.